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The Magic of the Collaborative Process by Anna Staniszewski

The Magic of the Collaborative Process by Anna Staniszewski

Anna Staniszewski visits the art blog today to talk about her author experience with the collaborative process for her new picture book “Power Down, Little Robot.”

Power Down Robot coverWhat I most love about picture books is their ability to transform words into an experience that goes far beyond the text. That ability became even clearer to me when I first saw Tim Zeltner’s illustrations for Power Down, Little Robot. I couldn’t believe that my spare text had been the inspiration for an entire visual world.

When I was writing the text, I had visuals in mind, of course, but like a good picture book writer, I tried not to force them on the story. I didn’t put in notes for the illustrator, and I kept my descriptions minimal, focusing only on things like movement and sound that couldn’t be easily conveyed in images. If a certain detail was important, I tried to hint at it without stating it. For example, when Mom Unit takes Little Robot’s hand in hers, I specifically used the verb “clamps” to imply a non-humanoid hand, but I left it up to the illustrator to figure out the rest.

As I worked on revisions with my editor, I wound up cutting text to make more room for the illustrator. For example, in an early version of the text, I mentioned that the robots “rolled down the hall,” but I later took details like that out since they didn’t seem necessary to the story. I had to trust that if my words weren’t moving the story forward or developing the characters’ relationship, then they didn’t need to be there.

When I saw sketches for the book, I was amazed at how the illustrator took things I had written and interpreted them in a way I hadn’t imagined. When I wrote the story, I was imagining that it was set on Earth (or perhaps on a robot version of Earth). Instead, the sketches set the story in space. Robots in space? Brilliant! It was perfect for the story and something that I probably wouldn’t have come up with on my own.

Seeing how much the illustrations have pushed the story beyond my original vision has made me appreciate the collaborative process even more. When you have so many creative minds working together, the end product is bound to be richer and fuller than anything one person could come up with on his/her own. It really does feel like picture book magic.

Anna StaniszewskiBorn in Poland and raised in the United States, Anna Staniszewski grew up loving stories in both Polish and English. When she’s not writing, Anna spends her time teaching, reading, and eating far too much chocolate. She is the author of the My Very UnFairy Tale Life series, the Dirt Diary series, and the forthcoming Switched at First Kiss series, all published by Sourcebooks, as well as the picture book Power Down, Little Robot, coming from Henry Holt in March. Visit her at www.annastan.com.

Just for fun some re-imagined clothing

Just for fun some re-imagined clothing

On some nights, after an 8 -10 hour day sitting and drawing, I need to do something else to decompress.

I like to re-imagined clothing from items in my closet that for one reason or another I rarely wear.

This re-imagined clothing was a plain denim jacket. It was, in a word, boring. So I embroidered it with an Art Nouveau fox pattern I downloaded for a $1. I still want to change the jacket silhouette with a peplum at the waist and shorten the sleeves because right now the cuffs extend past my finger tips.

re-imagined clothing jean jacket

Next project is taking these 2 shirts and making them into the best of both.

before re-imagined clothing

You may be thinking, “What’s wrong with those shirts?”

On the surface, nothing. In fact, I love the long-sleeved T. Only it’s too short and I’m constantly pulling it down, and it refuses to stay tucked in no matter what I try. The purple patterned shirt looks wonderful on the hanger, but on me, not so much. So every time I take it out to wear it, I put it on only to remove it and hang it back up. So it is badly neglected.

The plan is to undo the hem and neck binding on the solid shirt, remove the collar and sleeve decorations from the patterned shirt and place them on the corresponding areas. Then, I’ll cut part of the lower end of the patterned shirt off, and attach it to the bottom of the solid shirt. I may add a bit of trim along the body of the solid area, depending on how badly the unfolded hem looks. Stop back in a few days to see the after pics.

Maybe I’m procrastinating a little on my book art, but I’ve been working on it steadily for 4 hours today. It’s Sunday and I deserve a bit of a break. Don’t you agree?