Are your 2015 resolutions off to a good start? If you are like most artists I know, you have “create more art” on your list. But is that enough? Every creator wants to create more of their vision. It’s nearly universal to want to make more of what we’re so passionate about. But passion can only get you so far without a concrete plan. A solid goal. A yearly blue print, as it were.
My good friend, Bob Ostrom and his incredibly talented pal, Carlos Castellanos have taken it upon themselves to guide us through our vague ideas and really make sure we push our 2015 resolutions off to a good start.
It’s one week into the new year, but it’s not too late to sit down and really come up with a plan that will work. Go through their DBS Blueprint and make your 2015 the best year ever. Get yours now: http://drawnbysuccess.com/success-blueprint/
About my guests:
Carlos Castellanos is an award winning illustrator and co-creator/artist of the popular nationally syndicated comic strip ‘Baldo’, the first Latino family comic strip syndicated in the U.S. by Universal Press Syndicate to over 250 newspapers nationwide and executive producer of the animated Baldo TV series.
He is a speaker, consultant and trainer to ad agencies and graphic arts organizations, has been interviewed by radio news and TV networks including CNN En Español.
He is the founder of DrawnBySuccess.com, a site dedicated to his passion of motivating, inspiring and coaching artist and illustrators on the realities of how to achieve greater success through the marriage of their art and businesses. His mission is to help artists discover their light, their point of view and their unique creative solutions that entertain, educate, inspire and increase their value in the marketplace.
His belief is that practically any creative professional can transform their creative passion into a healthy income, enviable lifestyle and go from Starving to Thriving once you make the decision to take full responsibility and a ‘no-excuses’ approach to achieving the success you desire.
Bob Ostrom is children’s illustrator who’s art has appeared in over 250 children’s books. He also teaches courses in Photoshop, Illustrator, InDesign, children’s book illustration and competitive napping. You can find Bob and the following locations.
To learn more about Bob and his art please visit: http://BobOstrom.com
To schedule a tutoring session, learn Illustrator, InDesign or Photoshop please visit Bob at his teaching site… now 100% gluten free!!! http://BobTeachesArt.com
I was reluctant at first, as the webinars I’ve experienced have either been Skype sessions, with possibly pixellated video, or glorified Powerpoints. But I was impressed by their format, which allows for the presenter to be seen in a video window while the presentation is displayed AND the audience chats via text. They use the text chat to gather question, which the presenter answers at the end. So it’s a good format, and they provide support and training to the presenters.
Both the support and being part of a series made this look like a good opportunity to try this out.
WM: Why is researching agents, editors, or publishing houses before sending out a manuscript a good idea?
HU: If you don’t, you’ll just be submitting at random, and may waste a lot of your time. You also may not know about all of the possible places to send your manuscript, or about changes that have happened since .
Almost everyone has to do some research before submitting. My aim in this presentation is to explain the kinds of research that are likely to be the most useful, and how to go about them, and also to show some kinds of research that people may not know, such as how to analyze a catalog to learn about a publisher.
WM: Do you feel researching is an under-utilized skill among authors and illustrators?
HU: That’s a bit of a loaded question! No, I don’t, not at all. In fact, I think that it’s possible to do too much research, which is one of the issues that I will be addressing. But I know that authors and illustrators are always looking for more information about editors and agents and publishers, and my intention is to show them, from an insider’s point of view, the best ways to go about acquiring that.
I’ve talked about most of this before, of course, at conferences, and much of what I’m covering is also covered in my The Complete Idiot’s Guide to Publishing Children’s Books (http://www.underdown.org/cig.htm), though in different form, and I’ll be talking about using social media to do research, which wasn’t really on option the last time I updated the book.
WM: You will be touching on submission etiquette in this class. In your opinion, what are the top 5 red flags in a submission packet that turn off agents or editors?
HU: That’s tough, but here are five things to avoid:
• Carelessness—bad spelling, poor punctuation, getting the editor’s name wrong.
• Comparing your writing or illustrating favorably to such greats as Dr. Seuss, Maurice Sendak, or Judy Blume.
• Telling us how much your children/students/grandchildren loved the story.
• Making statements that reveal how little you know about the agent or publisher (better to say nothing at all).
• Not following the guidelines. Professionals always follow the guidelines.
WM: The webinar filled up almost immediately. That’s wonderful for you, but sad for the people who missed out. Will you hold another session?
HU: It’s not strictly true to say that it filled up almost immediately. It was announced at the beginning of January as part of the MI-SCBWI webinar series, and they publicized it through the usual SCBWI channels. I also announced it on The Purple Crayon. At the end of February, I think they had 75-80 “seats” of the 100 they can handle filled. That’s when I set up a Facebook “Event” (https://www.facebook.com/events/402818103189026/), and the response to that led to the remaining seats being filled.
However, people can still sign up for the archived presentation, and watch it as many times as they want over the three months after the webinar happens.
Will we hold it again? That’s not entirely up to me. As I said earlier, I think there’s a good possibility I’ll be doing other webinars in the future. Whether that will include an encore performance of this one or not, I don’t know.
WM: Is there any additional information you’d like to add, either about the webinar or the submission process in general?
HU: In addition to my book, people can find a lot of information about the submissions process on my website. I particularly recommend “Getting Out of the Slush Pile” (http://www.underdown.org/slush.htm)
Thanks for asking good questions!
WM: Thanks for visiting and for sharing your knowledge on researching the right home for your kid lit with us, Harold!
About Harold and the work he does: He’s a children’s book editor, working as a consulting or independent editor and writing teacher. Previously, he was Vice President and Editorial Director at ipicturebooks. Before that, he was editorial director of the Charlesbridge trade program, and have also worked at Orchard Books and Macmillan.